Відео

thanks! 1/4" cable into board - that's it. if you want to get fancy; 2 - 1/4" cables- left and right

I just set the sensitivity right in the middle. Not too high or low. There are no external triggers and I just try to balance the levels when I play.

thank you! studio reverb is my go to scene. i set the as per instructions -pretty simple - just make sure level not too hot/high. i set it at home in the studio so i can tweek it as opposed to setting it on the gig

Interesting. I purposely work on trying to balance my sound, so that the hi hat is a bit softer than the snare and bass drum. You could try lowering the kick drum trigger.

yes that's the only mic- you can adjust the sensitivity on the bass drum trigger to better balance thge kit if needed- live drums usually heard on their own in most mid sized rooms plus othe band mics always pick up some drums - i love the reverb and compressor options too -

thanks so much! no submixer - direct 1/4" into board- high quality Allan & Heath digital board or something similar- with really got mic/line pre's - i would make sure gain structure is set well. set trim first then bring up level - should come out of the subs and top speakers

if you listen with headphones you can hear it slightly

we often use in ear monitors - depending on the sound company. this particular clip is just sound recorded directly from the EAD10.

see description- sound recorded directly from EAD10 - thanks!

@@bshubo yeah but there is the sound of the whole band, ead10 can do this?

@@BruceFuchsTV stereo mic for EAD10 is attached to the bass drum rim so depending on other surrounding sounds, it can sometimes pick up part of the band. on this particular gig there were floor monitors nearby so the EAD10 picked that up- i've had situations where everyone had in-ears so the EAD had hardly any of the band leaking in- thanks!

@@bshubo thanks man, now I need to figure out how to pick a good sound in that cases

I can give 1/4" cables - left and right back of the EAD10 have 1/4" outs - you can also just send 1 cable and it would be mono- most sound boards have 1/4" line in- like plugging in a guitar cable

I do not - sound engineer will often make adjustments

1/4" cables out of the EAD10 L&R for stereo or just one 1/4" for mono (which i use often) and it goes directly into a channel on the mixer- as would any other instrument. some digital mixers only have XLR inputs in which case you would need a direct box which many sound people carry with them.

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thanks!- that is a direct recording of the Yamaha EAD10 stereo mic that is mounted on the top of the bass drum rim (there's an app -Rec N' Share). it picks up the whole kit really well and as you can hear, there isn't too much bleed from other mics/instruments - pretty incredible -

For sure. 👍

thank you!

thanks!

thank you!

thank you!

thank you!

i have some more recent clips that do have a better balance check my UA-cam channel - besides, for a live gig cymbals always get picked up from vocal mics, etc. i would not try boom over the shoulder because i would lose the bass drum trigger option which is great. also you don't get much bleed from other instruments when it's in the bass drum hoop. Thanks!

i like the studio reverb setting. i set between 12 & 3 o'clock and let the sound engineer control on their end

thanks!

you can plug it in directly into an amp/ mixer w/ speaker- L/R output 1/4" - there are many options depending on how much volume you need/budget/etc. ypu can try speaking to someone at sweetwater.com they are very helpful

thanks- sorry i didn't see this earlier- what did you end up doing? in the manual it shows how you can assign master to headphone only and set output constant- or maybe use a small 2 channel mixer and split signal.

I have a Yamaha custom birch kit. Everyone says my drums are tuned extremely well so I want to give this a try. I have an overhead mic, but the sound guys that I work with don't do a very good job all the time. Sometimes they don't turn my drums up in the mix loud enough, which is why I am scared to get the Yamaha ead10. I want to know if I can control the EAD10 on my own end without any interference on their part and be heard loud and clear in the mix regardless of how loud they have me turned up themselves?

The sound guy has control no matter what your using, but yes you have volume control on the unit. It’s basically a mixer with 2 condenser mics

@@ciskokidd1313 Ok thanks

thanks! you too!

thank you! made my day!

i rarely use the trigger sounds (which are only for the bass drum- or an external pad plugged in) - although some of the bass drum trigger sounds are great, the basic reverb kit or compression settings are just the stereo mic - and you can always turn off the trigger

@@bshubo oh ok kool, thanks ive heard some people say it puts midi drums over the real drums which i didnt want

studio reverb is my go to; occasionally turn down the reverb a bit depending on the room. I've used an external pad to trigger another sound and have created custom user kit w/ pad sound ready to go- hand clap or some other sound, thanks!

@@bshubo Bobby- just found your page and am super impressed! Great playing and flow! I have the same use case as you and have been rocking the EAD10 for a few years. I went to bring a TP70S 3-zone pad to trigger some hand claps and lazers last week, plugged into channel 5 of the module, but got no sound from them (EAD sounded great). I am thinking my settings have something super low, because when I have headphones in or go through my Audio Interface at home, I hear them fine. I went mono out into a snake and then into our Presonus Studiolive board. Any thoughts here? Thanks in advance and keep up the great work!

@@templejazz82 thanks!- i've used the Yamaha trigger pad and it worked great- maybe check the sensitivity switch on the pad. or the cable? i'll set up my pad when i have a chance and see if there are other settings- i remember needing the manual in order to set it up

Same question here....

thanks! i do not experience any feedback issues- if that's what you mean. setting the gain is crucial, but fairly straight forward. this is so much more convenient than me having to set up multiple mics/cables/etc. for a live gig. - and it sounds good plus you have all the trigger/effect options. it's also an incredible practice tool- put on some headphones, sounds like you're in the studio, turn on the built in click or play along to tracks w/ the rec n share app

@@bshubo Awesome! Thanks for the info. I keep reading mixed reviews as far as using it live and how some people get feedback when using live but it looks like you gig with it often and yes it seems like it would be WAY easier than dealing with mics, cables, etc. Using it as a practice tool sounds great! Thanks again for the info!

@@bshubo I'm curious, do you find you have to adjust your gain setting from room to room, or have you found a setting that works across the board? Great demos, btw. I have yet to try mine in a gig setting, but hope to as soon as things open up more.

@@drumtravelfun thanks! I try to play consistently so the room doesn’t effect the amount of gain. Let the mic do the work. I rarely need to change the gain settings. Maybe just a little tweaking.